Community Development Field

The ‘Art’ of Public Planning

Café tables? Yes. Mimes? Sure. Palm trees? Oooh yeah. I checked off boxes next to the features I like in outdoor public places at a recent community meeting for northern […]

Café tables? Yes. Mimes? Sure. Palm trees? Oooh yeah.

I checked off boxes next to the features I like in outdoor public places at a recent community meeting for northern New Jersey. I was excited about being a part of planning the future of a public plaza in an area I care deeply about.

The meeting lasted about two hours, but for me it was over too soon. I knew there were ideas left unsaid and many voices left unheard.  

Nupur Chaudhury, the community and planning health manager at Community Solutions in Brownsville, Brooklyn, said recently at a Project for Public Spaces panel, “We work at the invitation of residents, with the understanding that they have a deep understanding not only of the problems facing their community, but of the best solutions.”

It's with this truth in mind that I look for methods of community engagement and was very taken by the work of the Design Studio for Social Intervention (ds4si). Their recent Making Planning Processes Public pop-up exhibit in Boston's Upham's Corner neighborhood was created out of their mission to be a creativity lab for social justice work in the public sphere. 

Upham’s Corner is going through two major planning processes, one around a rail station, and the other a redesign of a major roadway, Columbia Avenue.
“We thought it essential to get out there and make these planning processes public by informing people of what had already been decided, tell them of future planning meetings and to take in as much public input as possible about certain aspects of the planning that we, as the studio, could relay back to the city departments running these processes,” Diego Perez Lacrera, of ds4si, shared with me in an email.

The studio was able to connect with residents of all ages in multiple places and ways by taking their exhibit about planning in the neighborhood to the streets, creating a presence over the course of a week, and commissioning two local artists for the project.

“Artists have a set of tools and ways thinking about complexity. They can be a part of our social justice and planning work beyond just making a banner or flyer,” said Lori Lobenstine, a principal at ds42i.   

Local artist Cedric Douglas, created a cover for the morning Metro newspaper that the ds4si team distributed asking, “What’s you plan?” Douglas also designed giant interactive checks that read, “What would you do with $3 million to improve Upham’s Corner?” 

Three million is the approximate amount slated to build a 3-foot high fence down the middle of Columbia Avenue to prevent jaywalking, Lobenstine told me. Many people they with spoke had not heard about this project prior to the exhibit. The checks were placed at key corners in the neighborhood and residents were able to fill in their own answers and respond to their neighbor’s ideas.

Work by a second artist, Phillpe Lejuene, helped attract many people to the exhibit.   According to Perez Lacrera, “His piece used an angled mirror to create a moment of confusion that lured people into looking closer, once they look closer they saw the words ‘Do You See Yourself’ and on the other side of the mirror it continued with, ‘in Uphams Corner'.”

Over the course of the week a resident from Cape Verde came to the exhibit and returned the following days to volunteer as a translator, as Upham’s Corner has the largest Cape Verdean population in the city. Teenagers returned with their grandparents. Kids shared their ideas by writing on balloons. “People would walk by and walk by again and see themselves disappear and reappear in Phillpe’s mirrors,” Lobenstine said. “It was magical.”


(Photos courtesy of Diego Perez Lacera)

Related Articles

  • Text: Shelterforce Presents/Women of Color on the Front Lines/“Her Story, Her Power" in neon yellow against purple banner. Below are headshots of the speakers framed by brushstroke circles of varied pink to purple shades. Top row, from left, Chelsie Evans Enos, a woman with brunette hair, and black top; Deletta Dean, a woman with short blond hair and black top; and and Maggie J. Parker, a woman with short black hair and blue blazer. Below them, from left, Wendy Santamarie, a woman with brunette hair and gray blazer; and Agnetha Jamie Gloshay, a woman with brunette hair, red bangs. Lower left corner bright yellow and says "March 27/3 p.m. ET/Register"

    Her Story, Her Power in Community Development: A Shelterforce Webinar

    April 3, 2024

    Five women from diverse backgrounds who span the country—Missouri, New Mexico, Hawaii, California, and Texas—got together with Shelterforce to talk about the community development field and their work in it.

  • A row of small, two-story houses with pitched roofs on a paved street. They alternate in color between yellow and medium gray, and some have shrubs in the front yards. There are no cars n the street.

    Soaring Property Insurance Rates Threaten Affordable Housing Development

    March 26, 2024

    Rapidly rising insurance premiums are forcing affordable housing developers to cut back on programming, lay off staff, and even sell. To add insult to injury, some insurers also seem to be adding penalties or withdrawing coverage for housing voucher holders.

  • LIHTC: Are Little Changes Enough? A Shelterforce Webinar

    March 15, 2024

    There are reforms and expansions of Low-Income Housing Tax Credit afoot. But some in the field argue that we need to change the tax credit model of financing housing more deeply—or move away from it entirely. Join scholars and organizers as they discuss these issues and explore a path forward.