Art Arts & Culture

“I Hate How Quick People Are to Judge”: Art Spotlights Voices From Homeless Shelters

Alex Strada worked with 300 shelter staff members and residents to create "Public Address." The project will travel across New York City's five boroughs.

A close-up of one of multiple signs in Lt. Petrosino Square. Some had hand-written letters, others drawings. Photo by Lara Heard

  • The artist (left) at the installation of “Public Address.” Photo courtesy of Alex Strada

  • One of the signs in Lt. Petrosino Square describes the author’s experience in shelters throughout the city. “I hate how quick people are to judge,” Bri writes. Photo by Lara Heard

  • A close-up of one of the signs in Lt. Petrosino Square. Photo by Lara Heard

  • Installation of “Public Address.” Photo courtesy of Alex Strada

  • Testimonials were distributed around Manhattan community districts. Photo courtesy of Alex Strada

  • Installation of “Public Address.” The sign shown depicts a record-keeping book for a New York City shelter. Photo courtesy of Alex Strada

  • Installation of “Public Address.” Photo courtesy of Alex Strada

  • A close-up of one of the signs in Lt. Petrosino Square. Photo by Lara Heard

  • Multiple drawings, including the piece spotlighted above. Photo by Lara Heard

  • The entrance to Lt. Petrosino Square, with one of the signs on view. Photo by Lara Heard

  • Signs were also posted on the gate to the square. Photo by Lara Heard

This month, I visited Lt. Petrosino Square in downtown Manhattan, the center of a sprawling art installation by Alex Strada. I was met with a series of brightly colored signs displaying heartfelt statements and letters about shelter life. The project, “Public Address,” brings perspectives from within the New York City shelter system to the streets. The Storefront for Art and Architecture was the curator behind the project.

“I hate how quick people are to judge,” one letter says.

“As a trans guy, it’s hard to be yourself and survive being unhoused. I’m very lucky because I’m in one of the safest shelters,” reads another.

For three years, Strada held workshops at shelters across the city. During these workshops, 300 shelter residents and staff members provided testimonials: letters, drawings, and statements about homelessness and shelter life. Strada worked with the Department of Transportation to transfer these messages to street signs. She installed many of these signs at Lt. Petrosino Square and distributed 12 more across Manhattan’s community districts. A map of the exhibition is available here.

[Related Article: Photos: New York’s Rich History of Housing Activism]

While the Manhattan iteration of “Public Address” will close in late March, the exhibition will continue, moving throughout the five boroughs. The next installation is planned for Brooklyn. As the project progresses, Strada will hold more workshops at city shelters, incorporating new voices and perspectives.

The exhibition prompts reflection on the way homelessness is visible to us as a social and political issue, while the feelings and perspectives of those who are homeless often go unnoticed. It’s a particularly meaningful sentiment at a time when homeless people and homeless services are under threat.

Strada is part of the Public Artists in Residence program in New York City, through which the Department of Cultural Affairs pairs artists with various city agencies. Strada partners with the NYC Department of Homeless Services. Before “Public Address,” Strada created “Collective Mobilities,” a series of large, mobile sculptures used to provide clothes and other essentials to homeless New Yorkers.

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