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The New Breed Bass Band plays their trumpets.

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Keeping Your Artists Close to Home

New Orleans relies on its artists as a core part of its economy. What can be done when those artists can no longer afford to call the city home?

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Working in Partnership

[Editorial note: In commemoration of Martin Luther King Jr. Day, Rooflines has chosen to share an essay from the Shelterforce archives. Co-written by Julian Bond, Jesse Jackson, Jr. and John Taylor in the aftermath of Hurricane Katrina, the decade-old essay shows us that the reality for millions of Americans in poverty has not changed very […]

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A Partial Win for Post-Katrina Mississippi

The Mississippi State Conference of the NAACP has reached an agreement with the U.S. Department of Housing and Urban Development and the state of Mississippi to appropriate $132.8 million in […]

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A Housing Renaissance?

A group of former FEMA trailer residents has formed an organization to raise money to house Louisianans displaced by Hurricane Katrina. The nonprofit — Katrina Rebirth Promise Land — is […]

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Some of Us Shall Not Be Moved

This collection of moving accounts of post-Katrina neighborhood recovery lacks both solid political and structural context and marignalized viewpoints.

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Who You Gonna Call?

Hurricane Gustav blew into the Gulf Coast on Labor Day weekend, almost three years to the day that Katrina brought its misery to New Orleans, carrying powerful memories of how […]

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No Sense of Decency?

Kari Lydersen has been posting on Rooflines from New Orleans this week, offering first-person witness to the sorry plight of the city’s poor and the explosion in the homelessness rate […]

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Monkey See, Monkey Do

The people who staff antipoverty programs hardly ever get interviewed, although they’re primary sources of non-ideological information about the grassroots problems of the poor.

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Building Alliances at All Levels

For everyone working in community development, the scenes and the stories from New Orleans reminded us of the importance of our work as well as the need to bring it […]