Arts and culture have always been part of successful community work, fostering social cohesion, engagement, and dialogue, but there’s a lot to learn about the many ways they can be employed and partnerships that are out there to be formed.
For over 30 years, Broadway Housing Communities has developed its own formula for meeting the housing needs of West Harlem's lowest-income residents. One of its unorthodox ingredients has been art galleries, and now, there's a children's museum in its newest building.
At their roots, both the arts and community development amplify a people’s voice. And while this connection makes sense on paper, it can look a lot different in practice. We would like to share three insights from our work together that speak to the promise, and peril, of such collaboration.
When the federal government required the mills of Cohoes to hire “colored” workers or lose war contracts, the mills relented but Cohoes maintained its segregation. Workers of color settled across the river in North Troy.
Artists have left their mark on Station North and paved the way for an arts district, but the organically-developed communal live/work spaces that play such a vital role in helping make Baltimore an arts mecca are an endangered species.
If you look at what Rip Rapson has accomplished and the insight he brings to his current work, you'll get a much better picture of who he is and the challenging work he spearheads at the Kresge Foundation.